DIA AL-AZZAWI EXHIBITION

Gallery 8

Admission was FREE

The Arab world's most influential living artist
 

Dia al-Azzawi is an internationally recognised Iraqi painter and sculptor who has been living and working in London since the late 1970s. Best known for monumental and colourful canvasses, his work spans many genres, including a type of artist books known in Arabic as 'dafatir'.

A combination of painting and text, dafatir take various forms – accordions, square and oblong booklets, cigar boxes or other sculptural assemblages – but are not meant to be read or viewed in a traditional way. Rather than illustrating the poetry within, which is usually drawn from the pre-Islamic traditions or based on collaborations with contemporary poets, the paintings are free and emotive responses to it.

'A Rose of Black Lace: Amjad Nasser' by Dia al-Azzawi, 1999. Concertina with sculptural case, gouache & ink on paper, wood & plaster © Azzawi 1999, photography Anthony Dawton

This exhibition explored the development of dafatir over 40 years of artistic production and considers the evolution of Azzawi’s distinctive pictorial language – a fusion of words and images – which would come to dominate much of his work. The installation also included drawings, prints and a monumental ten-metre tapestry immortalising the impact of war on the city of Mosul and displayed in public for the first time.

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An additional display in the Islamic Middle East Gallery 31, designed as a companion display to the Dia al-Azzawi: Painting Poetry exhibition, explores the impact of dafatir on a younger generation of Iraqi artists.

Header image: 'Of Layla: Qasim Haddad' by Dia al-Azzawi, 1998. Concertina, gouache & ink on paper, acrylic on foamboard. © Azzawi 1998, photography Anthony Dawton