MALLICA KUMBERA LANDRUS
Keeper of Eastern Art and Curator of Indian, Himalayan and Southeast Asian Art

Professor and Keeper of Eastern Art, Curator of Indian, Himalayan and Southeast Asian Art
Governing Body Fellow at St Cross College
Contact
Email: mallica.kumberalandrus@ashmus.ox.ac.uk
ORCID: 0000-0002-2666-8549
University of Oxford webpages
South Asian Studies - Oxford School of Global and Area Studies
Faculty of Asian and Middle Eastern Studies
Ashmolean Museum of Art and Archaeology
Biography
Mallica Kumbera Landrus is Keeper of the Eastern Art Department in the Ashmolean Museum, where the collections include ceramics, textiles, sculpture, metalwork, paintings, prints and other decorative arts, that span more than 5,000 years of cultural and artistic development, from the Islamic Middle East, China, Korea, Japan, South and Southeast Asia. Her curatorial responsibilities are mainly in the area of Indian, Himalayan and Southeast Asian art. She is a Fellow of St Cross College, Oxford.
Kumbera Landrus is an art historian and curator working on the history of art and architecture in the Indian subcontinent. Her courses and publications have focused on early modern, colonial and contemporary topics, while her curatorial projects include M F Hussain's Early Masterpieces, 1950s-70s (Brown University, 2010); Tradition, Trauma, Transformation: representation of women by Chitra Ganesh, Nalini Malani and Nilima Sheikh (Brown University, 2011); Bengal and Modernity: Early 20th century art in India (Ashmolean, 2015); Yoshida Hiroshi: A Japanese artist in India (Ashmolean, 2015); Old Traditions New Visions: Art in India and Pakistan after 1947 (Ashmolean, 2018); Ali Kazim: Suspended in Time (Ashmolean, 2022); Manisha Gera Baswani: Postcards from Home - 1947 and the Partition of India (Ashmolean, 2022/23); Soma Surovi Jannat: Climate Culture Care (Ashmolean, forthcoming 2026); Colonial Views of India: Photographs by Eugene Clutterbuck Impey (Ashmolean, forthcoming 2026).
Kumbera Landrus is on the editorial board for publication in Studies in Asian Art and Culture at the University of Bonn, and she was a Trustee of the Charles Wallace India Trust (2019-2022). Before Oxford, she was a senior lecturer at the Rhode Island School of Design (RISD). She has also held teaching, research, curatorial and/or management posts at institutes such as Princeton University, Brown University and the Jaipur City Palace Museum. In the late 1990s, Kumbera Landrus held an internship at the Smithsonian (Freer and Sackler) and was a member of the Torre de Palma excavation in Portugal, one of the largest Roman villas in Iberia. She received her PhD from the School of Oriental and African Studies (SOAS), University of London.
Kumbera Landrus is interested in how material and visual culture can contribute to our understanding of global history. Her research interests focus on the Indian subcontinent, particularly with regard to the intersection of art, architecture, religion, politics and socio-economics. She is especially interested in issues of cultural translation, focusing on works and built environments created for and by colonial powers, and by emerging cultures that were themselves hybrid, transnational and diasporic.
She has previously taught at Brown University, Princeton University, and at the Rhode Island School of Design. At Oxford, she teaches on topics such as: Trade and Exchange in Modern South Asia: Transcultural Objects, Ideas and Identities (MPhil and MSc in Modern South Asian Studies,) and Encountering South Asian Sculpture (BA History of Art). She supervises topics in South Asian material and visual culture across the Social Sciences and Humanities., and contributes lectures to various core, oprtional courses and seminars.
She is happy to supervise doctoral (DPhil) research on the Ashmolean’s South Asian collection, as well as other topics in the art, architecture, and material culture of the region. She also supervises undergraduate (BA) and postgraduate (MSt; MPhil) extended essays and dissertations with a particular focus on the Ashmolean’s collections.
- 2021 The India-Oxford Initiative (IndOx)
Funder: Oxford Martin School
Total value of award: £100,000
- 2020 The Collection of Islamic Art of William Laud, President of St John's College, Chancellor of the University, and Archbishop of Canterbury
Funder: John Fell Fund
Total value of award: £64,649
- 2019 HEIF Social Science Knowledge Exchange Fellowship - Kumbera Landrus
Funder: UK Research and Innovation
Total value of award: £1,075,664
- 2019 The India-Oxford Initiative (IndOx)
Funder: UK Research and Innovation
Total value of award: £4,832,914
- Clay Sculptures from the Ashmolean's South Asia collection
https://www.youtube.com/watch?v=R1iioCESaZA
- In conversation with Mary Beard and Neil MacGregor
https://www.youtube.com/watch?v=gYFZWYEfHJ8
- Pandemic Response - The Kerala Model
https://www.youtube.com/watch?v=l_n09ExC6lQ
- Voices of Descent
https://www.youtube.com/watch?v=i_ElhyapV-Y
- Questions of Representation - Worlding of (South) Asian Art
https://www.youtube.com/watch?v=4Mp5_3TsGUM
- In conversation with Nalini Malani
https://www.youtube.com/watch?v=A-A4yiwU3Qk
Editorial board
- 2014 up to now, Studies in Asian Art and Culture, University of Bonn (EB-Verlag, Berlin)
Other role or appointment
- 2020 - Jan 2023, Chair of the India-Oxford Initiative
- 2019 - Jan 2022, Trustee, Charles Wallace India Trust, London, United Kingdom
Public lecture
- 2024, Nalini Malani on her life and work, 'Moderator for the Q&A', Blavatnik School, University of Oxford, United Kingdom
Visiting (research) appointment
- 2011 - Jan 2011, Research Fellow, Maharaja Sawai Man Singh II Museum, Jaipur City Palace, Jaipur, India
- 2009 - Jan 2010, Research and Teaching Fellow, Princeton University, PIIRS - South Asian Studies, Princeton, United States
- 2007 - Jan 2009, Visiting Professor, Brown University, History of Art, Providence, United States
Architectural history and Theory; Art History; Arts and Cultural Policy; Asian Cultural Studies; Asian History; Cultural Studies; History and Archaeology; India; Masters Research or PhD student supervision; Membership of an advisory committee; Social and Cultural Anthropology; Social and Cultural Geography; Sociology; Visual Cultures