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Roman Provincial Coinage Vol. IV. The Antonine Period. From the Accession of Antoninus Pius to the Death of Commodus (AD 138 – 192). Part 2: The Roman Province of Asia

Song Ceramics

A history of the Samanids

Adoption and adaptation of Greek iconography in Cypriot votive figures during the Late Archaic and Classical period

Archaic Cyprus

Carpaccio as a draftsman

Classical Cyprus

Coinage of the Gallic Empire

Roman Provincial Coinage IV: From Antoninus Pius to Commodus (AD 138–192); Part 4: Egypt

Sylloge Nummorum Graecorum Volume V. Ashmolean Museum Oxford. Part X: Ionia

The Young Rembrandt

The Young Rembrandt's Work on Paper

Tradition, Modernity and National Identity: Celadon Production at the Makuzu Ceramic Workshop 1870–1916

Gunpowder, Porcelain, Paint

Hellenistic and Roman Terracottas in the Cypriot Collection of the Ashmolean Museum, Oxford: Contexts, Iconography, Meaning and Mediterranean Connections

Raphael, Oratory and the Art of Drawing

The Iron Age, Achaemenid and Hellenistic Periods

Ruskin as a Collector of Turner

Revisiting a Plate in the Ashmolean Museum: A new interpretation

A visit with the real Painted Tomb

Ashmolean object in focus: the 'Two-Dog' palette

Conserving the Pepi 'Stela'

Preserving the Painted Tomb

Sanctuaries and Greek poleis: an architectural approach

A cast, a bird and a queen

'He who saw the Deep': History as ritual in the material world of Mesopotamia

Ibn Fadlan: between fact and fiction

Muslims on the Volga in the Viking age: diplomacy and Islam in the world of Ibn Fadlan

Application of gamma-ray spectrometry in discovering the granitic monument of King Pepi I: a case study from Hierakonpolis, Aswan, Egypt

Assyrian Court Life

Antinous Boy Made God

Narrative

Two Ladies from South Arabia

Museum Displays and the Creation of the Ancient Middle East

A symbolist Drawing by Armand Rassenfosse

Alexander the Great. A Linked Open World

Disegno a stampa and disegno a mano and the development of independent landscape drawing in Renaissance Venice

Exploring localities: a die study of Alexanders from Damascus

Looting and its impact: the case of Alexanders from the Near East and the role of an online corpus project

Plum Blossom and Green Willow Japanese Poetry Prints from the Ashmolean Museum

Ravens and Red Lipstick Japanese Photography Since 1945

Vittore Carpaccio (1460/1466?-1525/26), an innovative draughtsman

Still Life Paintings Transformed

Mrs Layard’s ‘Moabite Stone'

Sensation: Rembrandt's First Paintings

A comparison of change blindness and the visual perception of museum artefacts in real-world and on-screen scenarios

The Arts of China

Islamic Occultism and the Museum

Islamic Occultism and the Museum

New research on the Bactrian tax-receipt

La ‘Lex Sacra von der Hallenstrasse’ e l’Asclepieio di Pergamo tra passato e presente

Ancient Sudan in the Ashmolean Museum

Chiaroscuro Woodcut: A Memento Mori

牛津阿什莫林博物馆里的中国艺术 Chinese Art in the Ashmolean Museum, Oxford

Per Epirum. An alternative to the Adriatic. The territory of Hadrianopolis and the Drino valley in the Greek and Early Roman periods

Dressing the Body

Assyrian Palaces

Cat. 73: Portrait de l'imam 'Ali entoure de ses fils Hasan et Husayn; Cat. 116: Boite a miroir; Cat. 117: Rustam combattant le roi du Hamavaran; Cat. 152: Service a cafe a decor astrologique; Cat. 161: Kard; Cat. 245: Plum...

Coneys, Coneygarths and Cunnies: the Rabbit and Great Households, c.1080–1600

Fantasy and reality: Tiepolo's poetic language at Wurzburg, Verona and Madrid

Figura femminile stante a braccia conserte

Ibrahim El-Salahi: A Sudanese Artist in Oxford

Raphael in three early drawings around 1499 (and a new source for the Massacre of the Innocents)

Standing female figure with crossed arms

Taille de guepe et barbe fleurant l'ambroise: Les portraits de Fath 'Ali Shah

Wenn ich an Kunst denke, denke ich an Schönheit - Agnes Martins Schriften

Quantifiying relative coin production during the reigns of Nerva and Trajan (AD 96-117): Reka Devnia reconsidered in light of regional coin finds from Romania and the Northwest

Presence and absence of imperial portrait on Roman provincial coins: some thoughts on local, regional and imperial identities

The numismatic evidence for the reign of Aḥmad b. Ṭūlūn

Not Acceptable to Present Taste: William Burges's Great Bookcase

Ashmolean object in focus: limestone statue of King Khasekhem

Le Coin Hoards of the Roman Empire project. Recherches récentes sur le trésor de Réka Devnia (Bulgarie, tpq 251 ap. J.-C.)

Identifying eighteenth century pigments at the Bodleian library using in situ Raman spectroscopy, XRF and hyperspectral imaging

From Building to Print: Giovanni Giacomo de’ Rossi and the making of architectural books

The stele of Polybios: Art, text and Context in Second-Century BC Greece

Le monnayage d'Apamée de Phrygie de Septime Sévère à Élagabal

Some thoughts on the cult of the Pantheon (‘all the gods’?) in the cities and sanctuaries of Roman Greece

Ger Luijten, Peter Schatborn and Arthur K. Wheelock (eds.), ‘Drawings for paintings in the age of Rembrandt’, Washington and Paris, 2016

Hans Bol's 'Emblemata Evangelica'

Heavenly Creatures

Alberto Giacometti

X-ray fluorescence (XRF) analysis of porcelain: Background paper

The wheel diagram in the Malay divinatory technique of the Faal Qur’an

An unattributed series of gold coins

The long lives of Roman statues: Public monuments in late antique Aphrodisias

Gertrude Bell and Iraq A Life and Legacy

The archaeology of the Asclepieum at Pergamon

Liu Dan New Landscapes and Old Masters

Chinese Paintings in the Ashmolean Museum, Oxford

Degas to Picasso: Creating Modernism in France; Works from the Ursula and R. Stanley Johnson Family Collection

‘Best’ gowns, kerchiefs and pantofles: gifts of apparel in the north east of England in the 16th century

Masters of metalpoint in northern Europe

The Lights of London

Eloquence in Raphael Drawings

Giacometti

Introduction

Made in Japan - Lo splendore orientale: la collezione Wurts di arte asiatica

Nineveh in the United Kingdom

Raphael. The Drawings

The formation of religious and caliphal identity in the Umayyad period: the evidence of the coinage

The Face of the Assyrian Empire: Mythology and the Heroic King

La stele di Polibio: arte e politica nel Peloponneso del II secolo a.C.

Ashmolean object in focus: the lapis lazuli lady

‘Happy clappers’: new ivory wands from ancient Nekhen

Mountains and Lowlands Ancient Iran and Mesopotamia

Spinning Yarns: The Archaeological Evidence for Hand Spinning and its Social Implications, cad1200–1500

Review: The Power of Prints, The Legacy of William M Ivins and A Hyatt Mayor, exhibition catalogue The Metropolitan Museum of Art and Archaeology New York

Hid in the earth and secret places: A reassessment of a hoard of later medieval gold rings and silver coins found near the River Thame

Roman Provincial Coinage IX: From Trajan Decius to Uranius Antoninus

Tomatsu Shomei. I Am a King.

Multiple catalogue entries

Damophon of Messene in the Ionian coast of Greece

Hellenistic Sanctuaries Between Greece and Rome

Introduction: on sanctuaries and poleis

The making of a colonial Pantheon in the colonies of Roman Greece

The Use of Goldpoint and Silverpoint in the Fifteenth Century

Aphrodisias

Statue Practice in the late Roman Empire: Numbers, Costumes, and Style

The Last Statues of Antiquity

Damophon of Messene in the Ionian coast of Greece

The making of a colonial Pantheon in the colonies of Roman Greece

'Edward Lear's Landscapes at Knowsley'

"Sacred Words, Sacred Power: Qur'anic and Pious Phrases as Sources of Healing and Protection"

A rediscovered drawing by Jean Boulanger (c.1608–1680)

Aphrodisias Papers Excavation and research at Aphrodisias, 2006-2012

Baroque and Later Paintings in the Ashmolean Museum

Multiple Identities in Cyprus from the 8th to the 5th century BCE: The Epigraphic and Iconographic Evidence from Cypriot Sanctuaries

Near Eastern and Egyptian Iconography for the Anthropomorphic Representation of Female Deities in Cypriote Iron Age Sanctuaries

Parish Churches, Colonisation and Conversion in Sixteenth Century Portuguese Goa

Power and Protection Islamic Art and the Supernatural

The Entombment

The great goddess at Maroni-Vournes

Venice and Drawing 1500-1800: Theory, Practice and Collecting

Hierakonpolis in Oxford

The Greek East under Rome

Troilos and Achilles: A Monumental Statue Group from Aphrodisias

Treasures of the Goldmith's Art The Michael Wellby Bequest to the Ashmolean Museum

Metalpoint drawing in the Low Countries

Well, I Sit Here and Wait to be Inspired: Photographs of Agnes Martin

Metalpoint Drawings in the Low Countries in the Sixteenth and Seventeenth Centuries

Eikōn chalkē: Hellenistic statue honours in bronze

Curator’s Choice: Hercules Segers’ Landscape with the Pine Branch’

Reflections on Modern Japanese Sculpture

Revisiting the beginnings of tin-opacified Islamic glazes

Dibujar en plata y oro: Hendrick Goltzius fue un avezado expert en la tecnica de la punta metalica’

Exhibition Review: "Qalam: The Art of Beautiful Writing", Birmingham Museums and Art Galleries, Birmingham, UK, November 2, 2013-January 26, 2014

Richard Verdi, ‘Rembrandt’s themes: Life into art’; New Haven and London, 2014

Von dunkler Dekadenz und christlicher Mystik: Bezüge von Geoffrey Hills "A Pre-Raphaelite Notebook" zu präraffaelitischen Bildern

A Tooled Coin and a Forgery of the ‘Koinon of the Thirteen Cities’

An Early Fragment; The Amajur Qur'an; A New-Style Qur'an; A Refined New-Style Folio; An Andalusian Page; A muhaqqaq Page with Translation and hadith; A Refurbished Turkman Leaf; An Indian Qur'an

Bengal and Modernity: Early 20th century art in India

Citizens and kings in the Tomba Bella at Hierapolis. ILARIA ROMEO, DARIO PANARITI, ROSANGELA UNGARO, LA TOMBA BELLA. UN HEROON GIULIO-CLAUDIO E IL SUO SARCOFAGO (Hierapolis di Frigia VI; Missione Archeologica Italiana a Hi...

Corpus of Cypriote Antiquities. Cypriote Antiquities in Reading. The Ure Museum at the University of Reading and the Reading Museum

Drawing in Venice. Titian to Canaletto

Fang Zhaoling A Centenary Exhibition

Gods in Colour A Guide to the Exhibition

Great British Drawings

Hiroshige: Landscape, Cityscape

Symbolism and meaning on the early Islamic copper coinage of Greater Syria

The Ashmolean Museum Crossing Cultures, Crossing Time

The circulation of the gold coinage of Vespasian struck in the East

The Floating Dresses of Hiroshima: War Memory in Ishiuchi Miyako's Photography.

Yoshida Hiroshi A Japanese Artist in India. Woodblock Prints from the Lahiri Collection. 9 June - 13 September 2015, the Ashmolean Museum of Art and Archaeology, University of Oxford

ʿAlī walī allāh and other non-Qur'anic references to the Ahl al-Bayt on Islamic coinage before the Saljuq period

Heliocles and Laodice of Bactria: a Reconsideration

Discovering Tutankhamun

Discovering Tutankhamun in Oxford

The Collector’s Eye: Viewing Veronese’s Chiaroscuro Drawings in Late Sixteenth-Century Venice

The ivory statuette from HK6 tomb 72

Christopher White and Jane Shoaf Turner, ‘Dutch & Flemish Drawings in the Victoria and Albert Museum’, London, 2014

The Bittersweet Beauty of Ephemerality - Ishiuchi Miyako's Photography

Conservation Studies

Dominant Powers

Pesticide Residues on the Cook-Voyage Collections at the Pitt Rivers Museum, University of Oxford

Die Verpackung zählt! Miwa Yanagis fotografische Serie "Elevator Girls" (1998) und die Kunst des Verhüllens in japanischen Kaufhäusern

Trans-Cultural Temples: Identity and Practice in Goa

Rare Drawings for Prints by Francesco Antonio Bufalini

Sculptures from Kerala: Form and Performance

Discovering Tutankhamun

Gods, Heroes, Rituals, and Violence: Warfare in Neo-Assyrian Art

RELIGION AND SOCIETY IN EARLY ROMAN CORINTH A FORGOTTEN COIN HOARD AND THE SANCTUARY OF ASKLEPIOS

Roman Provincial Coinage Online: http://rpc.ashmus.ox.ac.uk/

Religion and communication in the sanctuaries of Roman Greece

Learning to Draw in Venice: the role of drawing manuals

Britain and the archaeology of Cyprus, I. The long 19th century

Trinkets and Charms The Use, Meaning and Significance of Dress Accessories, Ad 1300-1700

Landscape Landscript

Last Statues of Antiquity

Samuel Palmer and the pastoral vision

A Lacquered Imari Porcelain Garniture from Althorp

Coinage and the Roman Economy in the Antonine Period: the view from Egypt’

Eros and Sexuality in Islamic Art

Everyday life in Sumer

Hellenistic evidence from the sanctuary at Maroni-Vournes

Hellenistisches Zypern/Hellenistic Cyprus

Images of Desire: On the Erotic and the Sensuous in Islamic Art

Learning to Draw in Venice: the role of drawing manuals

Post-Roman Europe

The Cast Gallery of the Ashmolean Museum Catalogue of Plaster Casts of Greek and Roman Sculpture

The Marble Reliefs from the Julio-Claudian Sebasteion

The monetization of Temperate Europe

X-ray fluorescence applied to overglaze enamel decoration on eighteenth- and nineteenth-century porcelain from central Europe

Threads of Silk and Gold: Ornamental Textiles of Meiji Japan

Unpublished sculptures from ancient Idalion: The earliest provenance find-assemblage in the Ashmolean’s Cypriot collection

Characterization of 18th-century meissen porcelain using SEM-EDS

Picturing Evil: Images of Divs and the Reception of the Shahnama

Defacing the Gods at Aphrodisias

Historical and Religious Memory in the Ancient World

Introduction

Preface

On the Monstrous in the Islamic Visual Tradition

Asklepios, Medicine, and the Politics of Healing in Fifth-century Greece. Between Craft and Cult

In situ analysis of ancient glass: 17th century painted glass from Christ Church Cathedral, Oxford and Roman glass vessels

Uncovering Beauty: Titian’s Triumph of Love in the Vendramin Collection, Venice

The Potential for Image Analysis in Numismatics

The use of images: Visual history and ancient history

'Grainy, Blurry, Out-of-Focus': Daido Moriyama's Farewell Photography

Cult and iconography: The votive sculpture from the Archaic to early Hellenistic sanctuary at Maroni-Vournes

From Mesopotamia to the Met: Two Assyrian Reliefs from the Palace of Sargon II

Fu Baoshi in Chongqing: Some Paintings in European Collections

Geografia storica della valle del Drino

Gods of Nemrud : the royal sanctuary of Antiochos I & the kingdom of Commagene

Northern Song Lacquer

Quranic inscriptions on the coins of the Ahl al-Bayt

The Copper Coinage of Umayyad Iran

The Myth of the City

The second lives of classical monuments at Aphrodisias

Urban militias in the eastern Islamic world (3rd-4th centuries AH)

ʿAlī walī allāh and other non-Quranic references to the ahl al-bayt on Islamic coinage before the Seljuq period

遠野物語

An extraordinary collection in the Keeper's Office

Excavations at HK29A. Report on the 2008 season of the Hierakonpolis expedition

Statue of King Khasekhem

Unveiling ancient Egypt and Sudan

Diplomacy and Gift-Giving at the Court of Fath ‘Ali Shah

The Japanese Collections at the Ashmolean Museum

The New Galleries of Chinese Art

An Arab-Sogdian coin of AH 160: an Ikhshid in Ishtihan?

Craftsmen and coins: signed dies in the Iranian world (third to the fifth centuries AH)

Delphi and Olympia. The Spatial Politics of Panhellenism in the Archaic and Classical Period

Love for Lydia: a Sardis Anniversary Volume Presented to Crawford

Marble workshops at Aphrodisias

Roman coins: classical tradition

The body as a screen Japanese art photography of the 1990s

The Samanids: the first Islamic dynasty of Central Asia

13 papers from the colloquium, The Book of the Dead – Recent research and new perspectives, held at the British Museum on 21st to 22nd July 2009

Attitudes towards figural imagery in the pre-Modern Islamic world?

Why did the Umayyads abandon figural coinage in favour of epigraphic coinage?

Light of the Sufis

Introduction

A Fayum teacher's manual, Alexandrian pavilion architecture, and Augustan wallpainting

A Folio from a Timurid Historical Manuscript in the Princeton Art Museum

Attending the king in Assyrian reliefs

Images of Cypriot Aphrodite in her sanctuaries during the age of the city-kingdoms

La Cappella Caracciolo di Vico in San Giovanni a Carbonara a Napoli e il problema della sua architettura

Reception and Ancient Portraits

Ritual spaces and performances in the Asklepieia of Roman Greece

The Wizard of Ōta: Miyagawa Kōzan through Western eyes

11 papers submitted for publication in the Proceedings of the Third International Colloquium on Predynastic and Early Dynastic Egypt, held at the British Museum on 27th July to 1st August 2008

Titian’s “Triumph of Love”

An Ivory Fan Handle from Nimrud

Artefacts, archaeology and daily life

Owning Ceramics in the Northern Song Dynasty: Thoughts on Who and How

Rosalba Carriera e il mondo britannico

Some numismatic approaches to quantifying the Roman Economy

The Gresham Ship, Thames Estuary: Conservation of an Elizabethan Shipwreck Assemblage

Venezia e l’Inghilterra. Artisti, collezionisti e mercato dell’arte, 1700-1750

Η αρχαία ιστορία μέσα από τα νομίσματα

’Abd al-Malik’s coinage reforms: the role of the Damascus mint

Egypt’s Origins in the Ashmolean Museum, Oxford

Return to the Temple Part II

The revetted mound at Hierakonpolis and early kingship: a re-interpretation

Archaeological Research at Aphrodisias in Caria, 2002–2005

Ladies Hunting: A Late Medieval Decorated Mirror Case from Shapwick, Somerset

Abstracts of papers presented at the Third International Colloquium on Predynastic and Early Dynastic Egypt, The British Museum, London, Sunday 27th July–Friday 1st August 2008

Chinese silk: A cultural history

An assessment of archaeological sites in June 2008: An Iraqi-British project

Aphrodisias papers New research on the city and its monuments

Aphrodisias'tan Roma Portreleri

Aphrodisias: City and Sculpture in Roman Asia

Assyrian Palace Sculptures

Ceramic Consumption in Northern Sung China: the case of the educated urbanites

From Egypt to Babylon The International Age 1550-500 BC

Kypris : Heiligtümer und Kulte weiblicher Gottheiten auf Zypern in der kyproarchaischen und kyproklassischen Epoche (Königszeit)

Roman portraits and marble production at Aphrodisias

Sarcophagi and Roman citizenship

Sculptors' workshops: Inscriptions, images, and archaeology

Yasumasa Morimuras Self-portrait as Actress Überlegungen zur Identität

The opening of the imperial mint of Cyzicus under the reign of Claudius II, the Gothic

The twin stelae of Suty and Hor

I santuari di Asclepio in Grecia

Il santuario di Asclepio a Lebena

Pindar, athletes, and the early Greek statue habit

Statue life in the Hadrianic Baths at Aphrodisias, AD 100-600. Local context and historical meaning

The Chronological Development of Roman Provincial Coin Iconography

The sanctuary of Asclepius

Resurrecting Horus and Pepi

Review of D. Wengrow, The Archaeology of Early Egypt: Social Transformations in North-East Africa, 10,000–2650 BC (Cambridge: Cambridge University Press 2006)

When is a tomb not a tomb?

An Assyrian-Style Ivory Plaque from Hasanlu, Iran

Roman portrait statuary from Aphrodisias

Trees and gender in Assyrian art

'Mihrab and Anaza' or 'Sacrum and spear': a reconsideration of the iconography of an early Marwanid silver drachm

The account of the Samanid dynasty in Ibn Zafir al-Azdi’s Akhbar al-duwal al-munqati’a

Coinage and Identity in the Roman Provinces

Istoria antica prin monede

Johan Barthold Jongkind

Archaeological research at Aphrodisias in Caria, 1999-2001

Roman Provincial Coinage

Shāhānshāh and al-Malik al-Mu'ayyad: the legitimation of power in Sāmānid and Būyid Iran

The Barbizon School: Plein-air painting before Impressionism

La storia antica attraverso le monete

The denarii of Septimius Severus and the mobility of Roman coin: a reply

The Statue Monument of Oecumenius: A New Portrait of a Late Antique Governor from Aphrodisias

A portrait monument for Julian and Theodosius at Aphrodisias

Buyid coinage

Sculptured for Eternity: Greek, Roman, and Byzantine Art in the Istanbul Archaeological Museum

Archaeological Research at Aphrodisias in Caria, 1997 and 1998

Art Theory and Criticism in Antiquity

Geld in der antiken Welt was Münzen über Geschichte verraten

Herakles and Antaios at Aphrodisias in Caria

Nero and the Sun-god: divine accessories and political symbols in Roman imperial images. M. BERGMANN, DIE STRAHLEN DER HERRSCHER: THEOMORPHES HERRSCHERBILD UND POLITISCHE SYMBOLIK IM HELLENISMUS UND IN DER RÖMISCHEN KAISE...

Late Antique Portraits in a Public Context: Honorific Statuary at Aphrodisias in Caria, A.D. 300–600

A late Roman portrait and a himation statue from Aphrodisias

Cultural Choice and Political Identity in Honorific Portrait Statues in the Greek East in the Second Century A.D.

Archaeological Research at Aphrodisias in Caria, 1996

Hellenistic Sculpture under the Roman Empire: Fishermen and Satyrs at Aphrodisias

Sikkelerin Isiginda Eskicag Tarihi

The Coins

Archaeological Research at Aphrodisias in Caria, 1995

The Public Image of Licinius I: Portrait Sculpture and Imperial Ideology in the Early Fourth Century

Aphrodisias Papers, 3 The Setting and Quarries, Mythological and Other Sculptural Decoration, Architectural Development, Portico of Tiberius, and Tetrapylon

Archaeological Research at Aphrodisias in Caria, 1994

Archaeological Research at Aphrodisias, 1989-1992

Ptolemaic portraits: Alexandrian types, Egyptian versions

Typology and diversity in the portraits of Augustus

A new shield portrait in Izmir

Ancient History from Coins

Archaeological Research at Aphrodisias in Caria, 1993

The circulation of silver coins, models of the Roman economy, and crisis in the third century A.D.: some numismatic evidence

Coin circulation and the integration of the Roman economy

Spear-won land at Boscoreale: on the royal paintings of a Roman villa

Two inscribed monuments from Aphrodisias

Coins

Kings and Philosophers

The Monument of C. Julius Zoilos

The Oxford History of Classical Art

The Supply and Use of Money in the Roman World 200 B.C. to A.D. 300

Membury, Wiltshire

A new portrait of Pythagoras

Aphrodisias Papers 2 The Theatre, a Sculptor's Workshop, Philosophers, and Coin-types : 3rd International Aphrodisias Colloquium : Papers

Hellenistic Sculpture A Handbook

Late Roman Philosophers

Sculpture from the Theatre

Late Roman Philosopher Portraits from Aphrodisias

Myth and allegory in the Sebasteion

Why did ancient states strike coins?

After the colt has bolted: a review of Amandry on Roman Corinth

Le Sébasteion et son décor sculpté

MUHAMMAD MECCA - HISTORY IN THE QURAN - WATT,MW

Simulacra Gentium: the Ethne from the Sebasteion at Aphrodisias

Hellenistic Royal Portraits

Philorhomaioi: portraits of Roman client rulers

The Imperial Reliefs from the Sebasteion at Aphrodisias

Roman Empire: Greek and provincial issues

Roman Portraits: Honours, Empresses, and Late Emperors

Greek Imperial Countermarks. Studies in the Provincial Coinage of the Roman Empire

Greek legends and Roman types: a Neronian enigma

The portraits of the Greeks

The relationship of the issar to the denar in rabbinic literature

Who was who in the Greek world, 776 BC-30 BC

The XII Fulminata: countermarks, emblems and movements under Trajan and Hadrian

The behaviour and function of Greek Imperial Countermarks

Coinage and military finance: the imperial bronze coinage of the Augustan east

Greeks, Foreigners, and Roman Republican Portraits

Ionian magistrates: Caracalla or Elagabalus?

A collection of tapestry cartoons at the Ashmolean Museum in Oxford

A newly discovered miracolous print from Naples

A Stamped Talisman

Alexander the Great: Coinage from a common past

Archaeologies of Coinage

Chian Pottery

Coin Hoards of the Roman Empire Project: http://chre.ashmus.ox.ac.uk/

Corinthian Pottery

Discovering Tutankhamun

Dress accessories of love and a plough of hope? Emotions, materiality and ‘emotants’ in later medieval Britain, c. AD 1250–1500

England 400 - 1600 gallery

Fear, matter and miracles: personal protection and coping with disasters through material culture c1200-1600

Galleries for Ancient Egypt and Sudan

Gerald Reitlinger's Chinese Porcelain

History from Coins: the role of numismatics in the study of the Graeco-Bactrian and Indo-Greek worlds

Ibrahim El-Salahi: a Sudanese artist in Oxford

Islamicate Occult Sciences in Theory and Practice

Laconian Pottery

Last Supper in Pompeii

Last Supper in Pompeii

Money Gallery and numismatic displays in 25 other galleries

Museums as Vehicles for Defining Artistic Canons: The Case of the Ancient Near East in the British Museum

On Raphael’s use of blind stylus and on new sketches for the Disputa

Pots and People: Greek trade and votive rituals at Naukratis

Power and Protection: Islamic Art and the Supernatural

Raphael and the eloquence of drawing

Review of David Roxburgh, The Persian Album, 1400-1600: From Dispersal to Collection

The Ashmolean Story

The Uruk Phenomenon

The Watlington Hoard

Troilos and Achilles: A monumental statue group from Aphrodisias

Urban militias in the eastern Islamic world (3rd-4th centuries AH)

'The Illusion of an Authentic Experience': A Luster Bowl in the Ashmolean Museum

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